
Chuck Webster | Signals, Calls, and Marches
Chuck Webster | Signals, Calls and Marches
On View: March 3 – TBD, 2020
Opening Reception: March 3, 2020 6-8pm
Due to the coronavirus (COVID-19), the gallery is currently closed until further notice.
We thank you for understanding; Planthouse will continue to monitor the situation and will reopen as soon as possible. Please feel free to be in touch with us if you have any questions.
Wishing all good health and safety,
PLANTHOUSE
Click here for Signals, Calls, and Marches checklist.
Planthouse is pleased to present Signals, Calls, and Marches featuring new works on paper by Chuck Webster. The show includes collages on handmade paper, compiled within the last two years yet composed of drawings made over the last two decades of Webster’s career. Collaborations with Dieu Donne in which drawings are embedded in the wet sheet with paper pulp painting are the cornerstone of this show. In addition, Planthouse debuts a bronze sculpture published by the gallery in conjunction with the exhibition. The sculpture, fabricated by Excalibur in Brooklyn, is Webster’s first edition in bronze. Unique pieces in encaustic painted wood accompany the sculpture.
Born in Binghamton, NY, Chuck Webster received a B.A. from Oberlin College in 1992 and a MFA from American University in 1996. The artist’s work can be seen in numerous public collections, including the Whitney Museum of American Art, New York, NY; The Metropolitan Museum of Art, New York, NY; Baltimore Museum of Art, Baltimore, MD; the Museum of Fine Arts, Houston, TX; the Dallas Museum of Art, Dallas, TX; and The Archives of the Rothko Chapel in Houston.
In 2012, the critic Roberta Smith wrote in a New York Times review that his paintings “are also very much, if not startlingly, little big paintings: they have a strange, irrepressible scale, a largeness that exceeds their size and creates a distinctive, slightly comedic sense of intimacy … each painting is very much its own pictorial being: vulnerable, rambunctious and fully inhabited.”