FOLD | Anders Bergstrom – Martha Lewis – Matt Magee – Rachel Ostrow
Press Release
Atlas: Fold in 1,000 words – Jeff Bergman
Manhattan User’s Guide: Arts & Entertainment


Martha Lewis
Top: 'Brane, (large white, blue, yellow, brown), 2014. India ink on paper.
Bottom: 'Brane (large yellow, green), 2014. India ink on paper.
Top: 'Brane, (large white, blue, yellow, brown), 2014. India ink on paper.
Bottom: 'Brane (large yellow, green), 2014. India ink on paper.

Matt Magee
Blue Point, 2013
Oil on panel
20 x 16 inches
Blue Point, 2013
Oil on panel
20 x 16 inches

Rachel Ostrow
The Still Point, 2014
Oil on panel
22 x 18 inches
The Still Point, 2014
Oil on panel
22 x 18 inches

Anders Bergstrom
Left: Clean Bag, 2013. Woodcut and polymer. 6 x 3 x 2 inches. Edition of 7. Published by The Grenfell Press.
Right: Grease Bag, 2013. 9 layer reductive woodcut and polymer. 6 x 3 x 2 inches. Edition of 7. Published by The Grenfell Press.
Left: Clean Bag, 2013. Woodcut and polymer. 6 x 3 x 2 inches. Edition of 7. Published by The Grenfell Press.
Right: Grease Bag, 2013. 9 layer reductive woodcut and polymer. 6 x 3 x 2 inches. Edition of 7. Published by The Grenfell Press.

Top: Rachel Ostrow. Phoenix, 2015. Oil on panel. 20 x 16 inches.
Bottom: Martha Lewis. 'Brane, (large brown, white), 2015. India ink on paper.
Bottom: Martha Lewis. 'Brane, (large brown, white), 2015. India ink on paper.

Left:
Rachel Ostrow. Harbor, 2015. Oil on panel. 14 x 12 inches.
Rachel Ostrow. Shield, 2014. Oil on panel 14 x 12 inches.
Right: Matt Magee. Hollow Bottle, 2013. Cast bronze, nickel plate. 10.125 x 5.5 x 2 inches. Edition of 10.
Rachel Ostrow. Harbor, 2015. Oil on panel. 14 x 12 inches.
Rachel Ostrow. Shield, 2014. Oil on panel 14 x 12 inches.
Right: Matt Magee. Hollow Bottle, 2013. Cast bronze, nickel plate. 10.125 x 5.5 x 2 inches. Edition of 10.

Rachel Ostrow
Left: Harbor, 2015. (detail)
Right: Shield, 2014. (detail)
Left: Harbor, 2015. (detail)
Right: Shield, 2014. (detail)

Matt Magee
Hollow Bottle, 2013. (detail)
Hollow Bottle, 2013. (detail)

Matt Magge
Left: Hollow Bottle, 2013. Cast bronze, nickel plate. 10.125 x 5.5 x 2 inches. Edition of 10.
Center: Bandwidth, 2014. Oil on panel. 46 x 36 inches.
Right:
Grey Path, 1994. Oil on panel. 14 x 9 inches.
White Path, 1994. Oil on panel. 15.75 x 10 inches.
Anders Bergstrom
Brown Bag Test, December 21, 2014, 2014
Scraping and softground etching surface roll, printed on both sides on Akatosashi
3.5 x 2 x 1.25 each
Unique
Left: Hollow Bottle, 2013. Cast bronze, nickel plate. 10.125 x 5.5 x 2 inches. Edition of 10.
Center: Bandwidth, 2014. Oil on panel. 46 x 36 inches.
Right:
Grey Path, 1994. Oil on panel. 14 x 9 inches.
White Path, 1994. Oil on panel. 15.75 x 10 inches.
Anders Bergstrom
Brown Bag Test, December 21, 2014, 2014
Scraping and softground etching surface roll, printed on both sides on Akatosashi
3.5 x 2 x 1.25 each
Unique

Matt Magee
Bandwidth, 2014. (detail)
Bandwidth, 2014. (detail)

Matt Magee
Left: Grey Path, 1994. (detail)
Right: White Path, 1994. (detail)
Left: Grey Path, 1994. (detail)
Right: White Path, 1994. (detail)

Anders Bergstrom
Brown Bag Test, December 21, 2014, 2014
Scraping and softground etching surface roll, printed on both sides on Akatosashi
3.5 x 2 x 1.25 each
Unique
Brown Bag Test, December 21, 2014, 2014
Scraping and softground etching surface roll, printed on both sides on Akatosashi
3.5 x 2 x 1.25 each
Unique

Anders Bergstrom
Brown Bag Test, December 21, 2014, (detail)
Brown Bag Test, December 21, 2014, (detail)

Anders Bergstrom
Brown Bag Test, December 21, 2014, (detail)
Brown Bag Test, December 21, 2014, (detail)

Anders Bergstrom
Brown Bag Test, December 21, 2014, (detail)
Brown Bag Test, December 21, 2014, (detail)

Matt Magee
Aluminum Circuit 1, 2014
Aluminum collage on plywood
28 x 36 inches; 35 x 43 inches framed
Aluminum Circuit 1, 2014
Aluminum collage on plywood
28 x 36 inches; 35 x 43 inches framed

Anders Bergstrom
Left: Twice, 2014. 6 layer reductive aquatint etching with softground and sugarlift. 4.5 x 2.75 x 1.5 inches each. Edition of 7.
Right: Husky Shorty, 2013. Aquatint and hardground etching with steel pins. 6 x 9.25 inches. Edition of 7.
Left: Twice, 2014. 6 layer reductive aquatint etching with softground and sugarlift. 4.5 x 2.75 x 1.5 inches each. Edition of 7.
Right: Husky Shorty, 2013. Aquatint and hardground etching with steel pins. 6 x 9.25 inches. Edition of 7.

Anders Bergstrom
Husky Shorty, 2013. (detail)
Husky Shorty, 2013. (detail)

Rachel Ostrow
Harlequin, 2015
Oil on panel
16 x 20 inches
Harlequin, 2015
Oil on panel
16 x 20 inches

Martha Lewis
1) 'Brane, (large white, green, multi), 2015. India ink on paper on wood.
2) 'Brane, (small red and blue), 2014. India ink on paper. 4 x 3 x 5 inches.
3) 'Brane, (small purple and grey), 2014. India ink on paper. 4 x 3 x 5 inches.
4) 'Brane, (small forest, yellow), 2014. India ink on paper. 4 x 3 x 5 inches.
5) 'Brane, (small pale green, yellow, purple), 2014. India ink on paper. 4 x 5 x 6 inches.
Anders Bergstrom
Dry Bag (diptych), 2015
Sugarlift, open bite, and soft ground etching, with surface roll
Printed on both sides of Akatosashi, hand cut, folded and glued
5 x 2.75 x 1.5 inches each
Edition of 7
1) 'Brane, (large white, green, multi), 2015. India ink on paper on wood.
2) 'Brane, (small red and blue), 2014. India ink on paper. 4 x 3 x 5 inches.
3) 'Brane, (small purple and grey), 2014. India ink on paper. 4 x 3 x 5 inches.
4) 'Brane, (small forest, yellow), 2014. India ink on paper. 4 x 3 x 5 inches.
5) 'Brane, (small pale green, yellow, purple), 2014. India ink on paper. 4 x 5 x 6 inches.
Anders Bergstrom
Dry Bag (diptych), 2015
Sugarlift, open bite, and soft ground etching, with surface roll
Printed on both sides of Akatosashi, hand cut, folded and glued
5 x 2.75 x 1.5 inches each
Edition of 7
