PROOF | Ruth Lingen – Jennifer Melby – Leslie Miller
Art In Print: Lingen, Melby, Miller


Right: Mark Tansey. Interview II. 1983. Etching. Edition of 40. Printer's proof

Wood Engraving, No Title, 1995
Wood engraving printed on Zerkall
Edition of 47, 12 Artist Proofs
16 x 14 inches

Wood Engraving, No Title, 1995 (detail)

Right: Jim Dine. Head from Darker River. 1998. Cardboard relief etching. Edition of 17. 48 x 37.5 inches

Right: Donald Baechler. Composition with Ostrich and Owl. 1999. Woodcut. Edition of 26. 23 x 17.5 inches

Right: James Siena. Battery. 2002. Reduction linoleum cut. Edition of 40. 21 x 18.25 inches

Second Conversation, 2013
Relief from Linoleum and rubber
Edition of 28
16 x 12 inches

Left: Joanne Greenbaum. Untitled (prussian blue). 2004. Etching with sugar lift, aquatint, and spitbite on Somerset white paper.
Edition of 15. 20 x 17.5 inches
Middle: Jessica Stockholder/Jeremy Sigler. Led Almost by my Tie. 2006. Letterpress, lithography, digital & collage with sculptural wall unit.
Edition of 30. 15 x 20 x 10 inches.
Right: Chuck Close. Lucas Paper/Pulp. 2006. Stenciled handmade paper print on nine colors. Edition 5 of 50. 48 x 40 inches.

Urology Appointment, 2007
Wood engraving, lead type, and polymer engraving printed on Somerset Satin
Edition of 15
2 x 3.5 inches

Ida Applebroog
Vellum Sketches II. 2011. (detail)

Cotton Dress, 2012
Lithograph on handmade paper
Edition of 70
12 x 9.25 inches

Parking Lot Triptych, 2014
Five color reduction linoleum cut printed on Somerset
Edition of 24
11 x 19 inches

Parking Lot Triptych, 2014 (detail)

1. Tom Burckhardt. Starks. 2012. Reduction etching with monoprinting. Edition of 12. 16 x 13 inches.
2. Leonardo Drew. 10P. 2011. Handmade paper. Edition of 20. 19 x 26 inches.
3. Joanne Greenbaum. Untitiled (vermillion). 2004.
Etching with sugar lift, aquatint, and spitbite on Somerset white paper. Edition of 15. 15 x 14 inches.
4. Carrol Dunham. Places and Things. 1992.
A boxed portfolio of 5 linoleum cuts (5 colors each) printed on Kozo/Misumi. Edition of 36.13 x 17 inches.
5. Mark Tansey. Interview I. 1983. Etching. Edition of 40. Printers proof. 11 x 10.87 inches.
6. Kiki Smith. Untitled. 1997. Unique monoprint. 12 x 9 inches.

7. Aram Kamrooz. Untitled. 2008-2009. 2 unique prints from the series of Mystical and Cosmic Vibrations. Editions of 40. Printers proof.
8. Victoria Haven. Void I. 2014. 5 color reduction linoleum cut printed Lana Aquarelle. Edition of 17. 20 x 17 inches.
9. Cindy Sherman. Untitled. 1991. Letterpress. Edition of 125. 20 x 16 inches.
10. David Storey. Hammerhead. 1993. Linoleum cut printed Lana Aquarelle. Trial proof. Edition of 17. 20 x 17 inches.
11. Robert Moskowitz. Untitled (black triangle). 2009. Black and white aquatint. Edition of 20. 19.5 x 14 inches.
12. Claes Oldenburg. Sculpture in the Form of a Swiss Army Knife. 1992. Woodcut. Edition of 125. 28 x 20 inches.

Comeundone, 1989
Letterpress, handmade paper
Edition of 100

Novel, 1998
A limited edition book with 10 drawings by Winkfield accompanying Ashbery's unpublished 1954 text. Printed on Somerset and bound by hand with silkscreen covers
All copies signed by the author and artist, 24 pages
Edition of 100
12.5 x 7 inches

In Spite of Everything, the Stars, 2013
Letterpress, etching, handcoloring
Edition of 30

Jane Kent/Susan Orlean
The Orchid Thief Re-Imagined, 2003
A limited edition book with text by Orlean and silkscreens by Kent.
Printed on Somerset and glassine with loose sheets in tray case. Assembled book becomes a 35 x 45 inch image with text. 16 sheets.
Co-published with the Rhode Island School of DesignAll all copies signed by the author and artist
Edition of 35
15 x 10 inches

The Nonconformist's Memorial, 1992
A limited edition book with 6 woodcuts by Mangold accompanying Howe's poem.
Printed on Somerset and Kozo/Gampi and bound in Timothy Barret's hemp paper, 68 pages
Edition of 65
13.5 x 9 inches